Submissions
Now receiving submissions for our fourth edition!
Submission Guidelines
Please review the submission guidelines before completing the submission form at the bottom of this page.
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*Issue 4, “On the Destruction of Art,” addresses an important topic affecting artists across the country. While we are still focusing on Philadelphia, we are opening submissions to any artist and writers who want to apply.
We welcome submissions from underrepresented and emerging photographers, writers, artists, and community members (from Philadelphia and Greater Pennsylvania).
We especially encourage submissions from former University of the Arts students (currently enrolled elsewhere who were forced to transfer) and professors. We want to support those who have had to leave the region due to the school’s closure, but were and are a vital part of our arts community.
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We accept photography, creative writing (poetry, fiction, creative nonfiction), visual art, mixed media, and community-focused projects. All visual art MUST incorporate photography in some way.
We're interested in work that tells authentic stories and connects art with place and community.
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While the topic of the work doesn’t necessarily have to be specifically about Pennsylvania (as each issue has its own theme), we focus on work that reflects the experiences, stories, and communities of Philadelphia and Greater Pennsylvania. This can include work created in the region, about the region, or by artists who call this area home.
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Please submit either JPEGs or PNGs through the Airtable form.
HIGH-RESOLUTION JPEG files are required for printing to ensure quality:
Each file submitted through Airtable must not exceed 10 MB
If your accepted submission is smaller than 300dpi, we’ll contact you to request high-resolution JPEG files
240dpi is acceptable for printing, though 300dpi is best quality
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Application is free for previously featured artists/writers from any edition of Frame/Sequence and DVAA members.
Application fee is $25 for new Frame/Sequence applicants and non-members of DVAA.
The fee covers up to 5 submissions per artist/writer
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Submissions for our first edition are being accepted from June 20th - July 18th, 2025.
The inaugural issue will be released in September, 2025.
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You may submit between 5 - 10 images per edition. We accept previously published work as long as you retain the rights to republish. Please note where work has been previously published in your submission.
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The submission form will ask for your permission to publish your work.
If your work is selected for publication, we'll ask you to sign an official document via DocuSign outlining your rights and requirements for publishing. Artists keep full ownership and all rights to their work and may continue to use, sell, or publish it elsewhere. The form allows us to include your work in our publication.
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Only if your work is accepted.
A one time cash award will be paid out per piece accepted.
A royalty will be apportioned based on level of contribution, and paid out of a shared royalty pool through CultureTrust, our fiscal sponsor.
The March 2027 Periodical Theme is:
The“On the Destruction of Art”
Submissions are open
September 15th - November 15th, 2026
Theme Description:
What does it mean to exist in an age of cultural and societal destruction? How do artists continue to create in these environments, and how do we as a society respond to the destruction of art? How does our role as artists change in response?
In issue 4, FRAME/SEQUENCE asks artists and writers to respond to these difficult and weighty questions, looking back to history, as well as sharing their own experiences of the present.
Do you make art using destruction as a tool to talk about trauma, war, or other societal ills? Do you write about art in society and culture through a historical and/or contemporary lens discussing art’s debasement, degradation, or commodification? Do you use methods of destruction or ephemerality in your art as a way to discuss rupture and/or renewal?
We are looking for artists and writers from all backgrounds: from those on the ground photographing in real time, to more artistic photographic and written interpretations, as well as those from an art historical (and contemporary) perspective.
You will be directed to an external Airtable Link
Image: Lily Colman